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Paramount Theatre

Location: Austin, Texas

Paramount Theatre Music, theater, and film venue built by Ernest Nalle in 1915, the Paramount Theatre is located just south of the Texas State Capitol Building at 713 Congress Avenue in Austin. Renowned Chicago architect John Eberson designed the theatre in Neo-Classical Revival style in January 1915. Eberson built over 1,200 theatres in his lifetime, although fewer than twenty five remain today. J.F. Johnson won the construction contract, and local architect George Albert Endress was appointed the supervising architect. The original owner, Ernest Nalle, paid $150,000 for the construction on land his family had owned since 1885. Standing four stories tall and encompassing over 500,000 cubic feet, the theater could comfortably seat almost 1,400 patrons. The stage is 34 by 34 feet and is still framed by the original curtains, which feature a pastoral scene designed by Tobin of St. Louis.

Originally intended as a vaudeville venue, the theater was named the Majestic and hosted performers such as the Marx Brothers before the vaudeville scene eventually waned. In 1930, showman Carl Hoblitzelle bought the Majestic and renamed it the Paramount Theatre. Hoblitzelle remodeled the facility with carpeting, upholstered chairs, and a new sound system. The theater maintained a stage production and movie schedule.  During the 1940s, The Interstate Theatre Circuit, owned by Hoblitzelle and headquartered at the theater, committed itself to community service and the Paramount became an important promoter of war bonds, selling $8.4 million worth from 1942 through 1945.  As a result, the Paramount received commendation and awards from the U.S. Treasury War Finance Committee. Army training and recruiting films also ran at the Paramount during this period. In its first thirty years, the theater had become a prominent entertainment venue by hosting such performers as Orson Wells, John Phillip Sousa, the Metropolitan Opera, Harry Houdini, Mae West, as well as Katherine Hepburn, who starred in “The Philadelphia Story.”

            During the 1950s, the Paramount continued to show many films, but the advent of television and suburban movie houses brought competition and a subsequent drop in theater attendance. Renovations and management changes in the mid-1970s helped resurrect the Paramount Theatre’s popularity. Its first live performance in years featured jazz legend Dave Brubeck on April 15, 1875. New owners John M. Bernardoni, Charles Eckerman, and Stephen L. Scott began showing classic films as well and changed the atmosphere at the legendary stage.

            The three proprietors formed a non-profit organization, the Austin Theatre Company, to help ensure future funding for the new community arts focus of the Paramount. On July 8, 1977, the Texas Historical Commission designated the theater a state landmark and qualified the venue for federal restoration funds. These and other funds were used in major restoration work, which began in September of 1977. This series of renovations allowed the Paramount Theatre to rise to the standards of the major touring theater companies. Since this renovation, the Paramount has welcomed over 1.5 million patrons. Productions since 1980 include “My Fair Lady,” “Evita,” “Guys and Dolls,” as well as events featuring George Carlin, the Texas Opera Theatre, Tibetan monks, Dolly Parton, Kinky Friedman, Mel Tillis, Jim Nabors, and Rodney Dangerfield, among others.

            In 2006, the archives of the Paramount Theater were donated to the University of Texas Fine Arts Library. The archives contain material dating from 1971, including 600 posters, 150 videotapes, and 100 programs and playbills among many other items.   Archives from Carl Hoblitzelle’s Interstate Theatre Circuit are housed at the Harry Ransom Center at the University of Texas at Austin. Currently, the Paramount’s regular performance season is highlighted by several nationally acclaimed film and music events, most notably South by Southwest and the Austin Film Festival, which use the theater as a premier venue.             

Joseph A. Orbock